Edward Sorel (born Edward Schwartz, 26 March 1929) " One On 1 Profile: Award-Winning Cartoonist, Political Satirist Edward Sorel Documents American Culture Through the Covers of Prominent Magazines" by Budd Mishkin, NY1, February 6, 2012 is an American illustrator, caricaturist, cartoonist, graphic designer and author. His work is known for its storytelling, its left-liberal social commentary, and its criticism of right-wing politics and organized religion. Formerly a regular contributor to The Nation, New York Magazine and The Atlantic, his work is today seen more frequently in Vanity Fair. He has been hailed by The New York Times as "one of America's foremost political satirists".Grimes, William. "Art; The Gripes of Wrath: 25 Years of Edward Sorel". The New York Times. (May 16, 1993)."The Masters Series: Edward Sorel". Visual Arts Journal. Fall 2011. School of Visual Arts. Page 32Birnbaum, Robert. "An Illustrated History" . The Morning News. (June 25, 2009) As a lifelong New Yorker, a large portion of his work interprets the life, culture and political events of New York City. There is also a large body of work which is nostalgic for the stars of 1930s and 1940s Hollywood when Sorel was a youth. Sorel is noted for his wavy pen-and-ink style, which he describes as "spontaneous direct drawing".
As he explains in Mary Astor's Purple Diary, he took his name from the character Julien Sorel of The Red and the Black by Stendhal, with whom he felt akin because both hated their fathers, the clergy and the corrupt society of their time. "Interview: Edward Sorel and a Grand Career in Illustration" by Henry Chamberlain, Comics Grinder, February 12, 2017
In 1956 Sorel went freelance. His first published illustration was A War for Civilization, which he sold to the satirical magazine The Realist;Paul Krassner (2005) One hand jerking: reports from an investigative satirist, p.33 in 1961. He then sold the magazine a cartoon satirizing the glamor of the Kennedy family, an early example of his parody movie posters. Victor Navasky appointed him art director for the satirical magazine Monocle in 1963. The illustrations that accompanied the 1966 article “Frank Sinatra Has a Cold” were made by Sorel, who also did the artwork for the front cover of the Esquire issue the article was in. In the later 1960s he produced full-color satirical Bestiary for the left-wing journal Ramparts, and a series called "Sorel's Unfamiliar Quotations" for The Atlantic. A profile of Sorel in Time 15 October 1968 was instrumental in selling "Sorel's News Service" by King Features to 44 syndicated newspapers for 14 months from later 1969 through 1970. Clay Felker founded New York magazine in the late 1960s and Glaser hired Sorel as its art director in the late 1970s.
Sorel also contributed covers and features to early issues of National Lampoon. When Felker bought the Village Voice in 1974 Sorel was given a weekly spot there, which lasted for most of the 1970s. By the mid-1980s Sorel moved to The Nation, now edited by his old colleague Navasky, and to which he contributed for the next decade. Sorel joined The New Yorker in late 1992 contributing a cover to the first issue edited by new editor Tina Brown. He has contributed many illustrations, features, and 44 covers to The New Yorker.
He has contributed many features to Vanity Fair. His art has also appeared on the covers of Harper's Magazine, Fortune, Forbes, Esquire, Time, American Heritage, Atlantic Monthly. Sorel also had a lengthy association with Penthouse, often lavishly reworking earlier drawings and ideas from his work for The Village Voice and The Nation.
In 2007 he completed the celebrated mural for the Waverly Inn in New York's Greenwich Village, which was published as a book, The Mural at the Waverly Inn in 2008. In 2009 he completed the mural for the redesigned Monkey Bar Restaurant in New York City.
As a writer, Sorel has reviewed books and exhibitions of fellow cartoonists and illustrators for such publications as The New York Times, The New York Observer, and American Heritage magazine.
In February 2010 he was named to the Freedom From Religion Foundation's Honorary Board of distinguished achievers.
In 2016, Sorel published "Mary Astor's Purple Diary," which was received with praise. In late December 2016, Sorel received a rave book review by Woody Allen.
In 2011, the School of Visual Arts in Manhattan honored Sorel as part of their Masters Series, an award and exhibition that honors great visual communicators. The SVA produced a documentary about Sorel entitled Nice Work if You Can Get It directed by his son, Leo. The documentary is now streaming on Vimeo.
In 2022, he was awarded the Reuben Award for Outstanding Cartoonist of the Year by the National Cartoonists Society.
Personal life
Exhibitions
Awards
Bibliography
Adults' books
Children's books
Collaborations
As Illustrator
External links
Interviews
Reviews
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